
Cartography as art-rock.
Maps & Atlases - Trees, Swallows, Houses EP
[4.5/5]
As cliché as the expression "Blink and you'll miss it" is, if you adapt it for your ears, it's the best possible advice to preface listening to Maps & Atlases' Trees, Swallows, Houses. The schizophrenic, note-bending attack brought on by the talented four-piece leaves not so much as a moment of music wasted, and it's because of this economy of recorded space that special attention must be paid to the incredibly layered rhythms of each song. "Everyplace Is A House" displays both tact and extravagance in its four-minute span, as transitions from twinkly riffs to impossibly intricate chord progressions amidst the warm-but-frantic vocals are smooth as can be. A more subdued "The Most Trustworthy Tin Cans" has its charm and place, too, combining jazzy guitar leads with an underlying energy felt in every strum and tap to the hi-hat. Seriously-don't blink. (SARGENT HOUSE) Jordan Rogowski
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Also in this issue:
- Architecture In Helsinki
- Editors
- Adam Franklin
- Look Mexico
- The New Amsterdams
- Vrktm
- Various Artists
- 3
- Baroness/Unpersons
- Damination A.D.
- Death Killer
- Ion Dissonance
- Nile
- Still Remains
- Tomahawk
- Chromeo
- Echoboy
- Just Jack
- Recoil
- XXL
- Authority Zero
- Automatic 7
- The Cribs
- Gogol Bordello
- Joe Shithead Keithley
- Reel Big Fish
- The Saint Alvia Cartel
- The Wednesday Night Heroes
- Yellowcard
- Emanuel
- Holy Roman Empire
- Juliette And The Licks
- Mobile
- Ozma
- Project 86
- theSTART
- The Starting Line
- Minus The Bear
- Municipal Waste
- Portugal. The Man
- Unkle
- Atreyu
- Devildriver
- The Honorary Title
- John Vanderslice
- Sum 41
- Talib Kweli
- Other sections...




























[4.5/5]
As cliché as the expression "Blink and you'll miss it" is, if you adapt it for your ears, it's the best possible advice to preface listening to Maps & Atlases' Trees, Swallows, Houses. The schizophrenic, note-bending attack brought on by the talented four-piece leaves not so much as a moment of music wasted, and it's because of this economy of recorded space that special attention must be paid to the incredibly layered rhythms of each song. "Everyplace Is A House" displays both tact and extravagance in its four-minute span, as transitions from twinkly riffs to impossibly intricate chord progressions amidst the warm-but-frantic vocals are smooth as can be. A more subdued "The Most Trustworthy Tin Cans" has its charm and place, too, combining jazzy guitar leads with an underlying energy felt in every strum and tap to the hi-hat. Seriously-don't blink. (SARGENT HOUSE) Jordan Rogowski

