
A few more dreams of happy endings.
Damination A.D. - In This Life Or The Next
[3.5/5]
Before metalcore was a real genre, Damnation A.D. and a few other bands from the '90s hardcore scene were tuning their guitars down to L and bringing the misery-filled mosh. It doesn't even matter that half of Fall Out Boy appear on this record, or that credible celebri-fans like Wes Eisold (Some Girls) and Karl Buechner (Earth Crisis) provide vocal cameos. The truth is that DAD could fart into a Radio Shack tape recorder and it would be better than most of the guyliner/sing-scream guano currently passed off as hardcore, metal or both. With two old gems-"The Hangedman" and "Rain Is My Veil"-re-worked for the world's 21st century digital boys and girls, In This Life Or The Next does a good job bringing DAD into the present (their last release was in '98); so does the sharpest production this band have seen. Gloomy, powerful and not a fifth-generation copy. (VICTORY) Ronen Kauffman
Official Website: http://www.victoryrecords.com
|
Also in this issue:
- Architecture In Helsinki
- Editors
- Adam Franklin
- Look Mexico
- Maps & Atlases
- The New Amsterdams
- Vrktm
- Various Artists
- 3
- Baroness/Unpersons
- Death Killer
- Ion Dissonance
- Nile
- Still Remains
- Tomahawk
- Chromeo
- Echoboy
- Just Jack
- Recoil
- XXL
- Authority Zero
- Automatic 7
- The Cribs
- Gogol Bordello
- Joe Shithead Keithley
- Reel Big Fish
- The Saint Alvia Cartel
- The Wednesday Night Heroes
- Yellowcard
- Emanuel
- Holy Roman Empire
- Juliette And The Licks
- Mobile
- Ozma
- Project 86
- theSTART
- The Starting Line
- Minus The Bear
- Municipal Waste
- Portugal. The Man
- Unkle
- Atreyu
- Devildriver
- The Honorary Title
- John Vanderslice
- Sum 41
- Talib Kweli
- Other sections...




























[3.5/5]
Before metalcore was a real genre, Damnation A.D. and a few other bands from the '90s hardcore scene were tuning their guitars down to L and bringing the misery-filled mosh. It doesn't even matter that half of Fall Out Boy appear on this record, or that credible celebri-fans like Wes Eisold (Some Girls) and Karl Buechner (Earth Crisis) provide vocal cameos. The truth is that DAD could fart into a Radio Shack tape recorder and it would be better than most of the guyliner/sing-scream guano currently passed off as hardcore, metal or both. With two old gems-"The Hangedman" and "Rain Is My Veil"-re-worked for the world's 21st century digital boys and girls, In This Life Or The Next does a good job bringing DAD into the present (their last release was in '98); so does the sharpest production this band have seen. Gloomy, powerful and not a fifth-generation copy. (VICTORY) Ronen Kauffman
Official Website: 
