March 9, 2009

Travis McCoy posts "Don't You Know Who I Am" (Every Time I Die, Madball)

Gym Class Heroes’ Travis McCoy has posted up a track from his upcoming mixtape, Death Comedy Jam Vol.1. The song, "Don’t You Know Who I Am," samples Every Time I Die’s "The New Black" and features Madball frontman Freddy Cricien on guest vocals. You can stream it at this particular blog posting.

Enslaved

Enslaved Vertebrae [4/5] Enslaved’s 17-year shift from harsh Viking-metal primitivism into meaty, ’70s-style prog has been one of metal’s greatest evolutionary tales. Though 2001’s Monumension found the Norwegian band exiting their blackened Petri dish to explore the more colorful realms of mid-period Pink Floyd and Genesis (if either group had been fronted by Cookie Monster),...

Cradle Of Filth

Cradle Of Filth Godspeed On The Devil’s Thunder [4.5/5] Many thought English black-metal heroes Cradle Of Filth had hit their peak with 2000’s Midian, but Dani Filth and his revolving lineup of unholy allies have only continued to grow, expanding their musical horizons and transcending the genre from which they were spewed in the mid-’90s....

Secret Dakota Ring

Secret Dakota Ring Cantarell [3/5] OK Go guitarist Andy “Rusty” Ross tests his vocal, bass and keyboard prowess in Secret Dakota Ring, his side project with drummer Travis Harrison. The duo debuted three years ago with Do Not Leave Baggage All The Way, and in between touring and recording with OK Go, laid down nine...

Of Montreal

Of Montreal Skeletal Lamping [4/5] With Skeletal Lamping, Of Montreal up the sex and drop the gloom of 2007’s Hissing Fauna, Are You The Destroyer?. Continuing the high-density electro-disco shimmy, Kevin Barnes & Co. throw even more unexpected turns and infectious melodies into their newest crop of oddball love/lust ditties. Barnes adopts a lothario...

Mount Eerie

Mount Eerie Lost Wisdom [4.5/5] The sole problem with Phil Elverum’s new collaboration featuring Julie Doiron (Eric’s Trip) and Fred Squire is that, like life, it’s over too soon. Weighty, moribund concerns circle the 10-song, 25-minute disc, ranging from disconsolate, circumspect opening title track to the album-ending “Grave Robbers,” which expresses with world-weary melancholia, “Our...

The Dears

The Dears Missiles [3.5/5] You could very academically discuss Montreal’s the Dears’ transition from orchestral pomp on 2000’s End Of A Hollywood Bedtime Story to more hard-hitting directness (2006’s Gang Of Losers) to the dreamy, intimate sound of their latest release, Missiles. Or you could just admit that the differences end up being negligible, and...

Circus Devils

Circus Devils Ataxia [3.5/5] Inhabiting the post-punk/experimental segment of his ever expanding musical psyche, Robert Pollard continues his collaboration with Tim and Todd Tobias in one of his longest-lived side projects, Circus Devils. The band’s sixth release (and Pollard’s fifth LP this year), Ataxia, demonstrates more focus and precision than the name or prior albums...

Gang Gang Dance

Gang Gang Dance Saint Dymphna [3.5/5] In most cases, using the word “experimental” to describe music that defies genre categorization is somewhat lazy. But in the case of Gang Gang Dance, the tag fits without any negative connotations: The New York City act’s tunes aren’t structured like pop songs; they’re rhythm-heavy but aren’t dance music;...
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