Mischa Pearlman
Sleeping With Sirens on new era: “It really feels like a rebirth in a way”
It was Christmas Day 2018 when everything changed for Kellin Quinn. The Sleeping With Sirens frontman woke up that morning—as he did most mornings—with a hangover.
He walked downstairs blurry-minded to his 6-year-old daughter Copeland opening her presents, a sight that struck squarely into his heart and soul. The then-32-yea...
The Front Bottoms take a huge creative risk on ‘Going Grey’
The Front Bottoms
Going Grey
ROCKS LIKE: The Hotelier, Depeche Mode, LCD Soundsystem
WHAT'S DIFFERENT: In short—a lot. While 2015’s Back On Top expanded the quirky New Jersey band’s sound a good degree, this record truly opens the floodgates. While still recogniz
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You can hear Rise Against’s rage toward Trump burn throughout ‘Wolves’
Rise Against
Wolves
FILE UNDER: Revolution Rock
ROCKS LIKE: Anti-Flag, Alkaline Trio, Green Day
Donald Trump wasn’t president when Rise Against started writing their eighth album Wolves, but they were in the studio when he was elected. Whil
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Sorority Noise’s ‘You’re Not As _____ As You Think…’ is nuanced but raw
Sorority Noise
You’re Not As _____ As You Think…
FILE UNDER: End of the world blues
ROCKS LIKE: Manchester Orchestra, Modest Mouse, Death Cab For Cutie
WHAT'S DIFFERENT: Sorority Noise have really looked to expand their sound with this follow-up to 2015’s acclaimed second album Joy, Departed. Like that record, thi
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Nothington: The perfect balance between aggression and melody
Nothington
In The End
FILE UNDER: Melodic gruff punk
ROCKS LIKE: Red City Radio, Iron Chic, I Am The Avalanche
WHAT'S DIFFERENT: For a start, they’re back. The San Francisco band have been on hiatus for the last five or so years since 2011’s Borrowed Time. While before they perhaps wore the
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Frank Carter & The Rattlesnakes release powerful and thought-provoking new album
Frank Carter And The Rattlesnakes
Modern Ruin
FILE UNDER: End Of The World Blues
ROCKS LIKE: Single Mothers, Slaves, the Bronx
WHAT'S DIFFERENT: Veering between the bluesy rock ’n’ roll of “Snake Eyes” and “God Is My Friend,” the gritty suspense of “Wild Flowers” and the frenzied punk of the title track, Modern Ruin is the most fully formed record of Frank Carter’s career to date. The second album
Milk Teeth’s ‘Vile Child’ is a bold, uncompromising debut
Milk Teeth
Vile Child
Though they hail from the U.K. and only formed two years ago, Milk Teeth’s heritage is very much rooted in the ’90s American alt-rock scene. The follow-up to the Bristol band’s acclaimed Sad Sack EP, Vile Child once again delves into the heart of grungy alt-rock, offering up 12 delightfully retro and riotous tunes. The album isn’t
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‘It’s a drop in the ocean, but it feels really special': Simple Plan discuss their foundation
For all of the truly terrible things in the world (disease, terrorism, Nickelback et al), it’s heartening to know that artists in our community are quick to put their time and money where their mouths are. This year's Alternative Press Music Awards is honoring these people with the Artist Philanthropic Award, presented by Sub City. Simple P...
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Taking Back Sunday discusses their work with American Cancer Society
For all of the truly terrible things in the world (disease, terrorism, Nickelback et al), it’s heartening to know that artists in our community are quick to put their time and money where their mouths are. This year's Alternative Press Music Awards is honoring these people with the Artist Philanthropic Award, presented by Sub City. Taking B...
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Bayside shares work with Human Rights Campaign
For all of the truly terrible things in the world (disease, terrorism, Nickelback et al), it’s heartening to know that artists in our community are quick to put their time and money where their mouths are. This year's Alternative Press Music Awards is honoring these people with the Artist Philanthropic Award, presented by Sub City. Bayside
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August Burns Red vocalist Jake Luhrs talks HeartSupport
For all of the truly terrible things in the world (disease, terrorism, Nickelback et al), it’s heartening to know that artists in our community are quick to put their time and money where their mouths are. This year's Alternative Press Music Awards is honoring these people with the Artist Philanthropic Award, presented by Sub City. Jake Luh
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Koji discusses collaboration with Doctors Without Borders
For all of the truly terrible things in the world (disease, terrorism, Nickelback et al), it’s heartening to know that artists in our community are quick to put their time and money where their mouths are. This year's Alternative Press Music Awards is honoring these people with the Artist Philanthropic Award, presented by Sub City. Koji is
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Andrew McMahon discusses Dear Jack Foundation
For all of the truly terrible things in the world (disease, terrorism, Nickelback et al), it’s heartening to know that artists in our community are quick to put their time and money where their mouths are. This year's Alternative Press Music Awards is honoring these people with the Artist Philanthropic Award, presented by Sub City. Andrew M...
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‘American Spring’ proves Anti-Flag are still potent activists (Review)
Anti-Flag
American Spring
For almost 25 years, Pittsburgh’s Anti-Flag have been holding a mirror up to the world’s ills and injustices with their ferocious, socially conscious punk. Though the fact the planet is still as fucked up as ever must be disheartening, at least it’s given the band ample inspiration for their 10th full-length. As such, these 1
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Northern Faces’ self-titled debut is a perfect example of what pop music should be (review)
Northern Faces
Northern Faces
If pop music is meant to be polished, nobody told Northern Faces. On their self-titled debut, the Albany, New York four-piece have crafted some of the catchiest tunes you’re likely to hear this year that are anything but glossy and superficial. Rath
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“Don’t expect us to be the 2003 Funeral For A Friend”—Matt Davies-Kreye on ‘Chapter And Verse’
Formed in Bridgend, Wales, Funeral For A Friend have been a staple of the British alternative rock scene for over a decade. In that time, they’ve weathered line-up changes and sonic shifts from the earnest melodic screamo of their early days to the savage, politically charged hardcore of Chapter And Verse, their recently released seventh album. It’s
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The Brokedowns channel Crimpshrine on the gritty ‘Life Is A Breeze’
The Brokedowns
Life Is A Breeze
Ever since it went mainstream, there’s often been a disconnect between punk the music and punk the lifestyle. Not so for this four-piece from Elgin, Illinois, whose music comes off as an accurate soundtrack to their lives. Much
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Feel young and grow old at the same time with Chumped’s pop-punky ‘Teenage Retirement’
Chumped
Teenage Retirement
Chumped’s debut album couldn’t really be called anything else—its 12 songs throb with both the naïve, reckless abandon of youth and the jaded, tired contemplation of old age. What you get when this Brooklyn, New York, four-piece combine the two is a vital examination of the human condition that seems to run the gamut of every experience and emotion we encounter in our sh
The Copyrights – Report
The Copyrights
Report
This sixth record from Illinois-based misfits the Copyrights blasts through 14 pithy gems in just under 28 minutes. Mixing both the sloppy, slacker pop-punk of, say, early Green Day with the slightly more polished sheen of Teenage Bottlerocket or recent Bouncing Souls, songs like “The World Is Such A Drag” and “No Knocks” throw an upbeat, don’t-give-a-fuck attitude in the fac
Rise Against – The Black Market
Rise Against
The Black Market
The Rise Against of 2014 are very different band to the one that formed in 1999—they've cycled through a half-dozen guitarists, their music has noticeably become more melodic since those early days and they’ve become a Billboard charting band (2011’s Endgame hit No. 2 on that magazine's top
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