johnny thunders

The hype about punk rock has always been that anyone can do it.

After the Stooges, New York Dolls were the most important of all protopunk bands. The standard belief is that in their original lifetime — 1971 to 1976 — they invented the sound and attitude of ‘70s punk rock and the look of ‘80s hair metal. Blame the latter on their desire to, as their definitive […]

One of punk rock’s original goals was “the destruction of rock ‘n’ roll.” While that didn’t happen, most early punk musicians were rock fans, in spite of their espoused rhetoric. Hence why most early pogo soundtracks were basically Chuck Berry with a Marshall amp. Not that there’s anything wrong with that. But this is hardly […]

There are a lot of people out there who know what punk rock is but have no idea how to explain it to a novice or an outsider. It would seem simple enough to define it as “three-chord teenage rebel music,” but what about all those songs that have four or more chords? Or all […]

There is no doubt that Green Day leader Billie Joe Armstrong is a great guitarist, punk rock or not. He gets great tone and comes up with solid, catchy riffs and tight, tuneful leads. His most iconic guitar is “Blue,” the heavily stickered Fernandes Stratocaster copy his mother bought him for his 11th birthday. It […]

Each month, Alternative Press Gallery explores the work of photographers, directors and other creatives who help shape the music world from behind the scenes. With each issue, we explore the stories behind the shoots and take deep dives into the most compelling media, asking about the vision as well as the happy accidents that create […]

The ‘90s: the decade punk went mainstream. First, SoundScan made radio safe for Nirvana and the grunge-ified hordes. Then Green Day and other pop-punk acts moved in and squatted at the top of the Billboard charts. True, it seemed to be finished two years later, only to be reinvigorated at the turn of the century. […]

Rock ‘n’ roll had, for the most part, lost its “roll” by 1970. It became rock music—self-serious, dour, pompous, filled with pretensions to being “art.” It ceased being fabulous teenage noise, filled with Chuck Berry’s playful swagger and Elvis’ hypersexualized pelvic thrust and rebel sneer. Kids wanted something loud and flashy, full of energy, something […]

It stands to reason LGBTQIA+ culture informed, inspired and enmeshed with punk, down to the crossover with the ’70s glam scene that helped spawn it. After all, both worlds were essentially the Island of Misfit Toys, from the Rankin/Bass 1964 holiday special Rudolph The Red-Nosed Reindeer: a rebel culture for those whose ideas don’t fit […]

Though all but forgotten by this point—save for documentary films like excellent Vancouver overview Bloodied But Unbowed and recent Teenage Head retrospective Picture My Face—Canada once boasted one of the world’s best punk scenes. The quality/quantity of Great White North pogo-rock acts, plus their music’s sheer ferocity, belied our neighbors’ more mild-mannered and civilized reputation. […]

In 1996, Your Punk Professor interviewed the Clash’s distinguished lead guitarist Mick Jones for a proposed Alternative Press piece on punk’s original guitar heroes. Though it remains unpublished, I asked in the course of it what he thought of Rancid. Jones waxed effusive, noting he’d met the Berkeley punk traditionalists in the course of a […]

When the ball dropped in New York City’s Times Square at the stroke of midnight Dec. 31, 2009, punk rock had been around 35 years. (Or 33, depending on if you date the subculture from when the Ramones began playing gigs or from the mythic Punk Year Zero of 1977.) It was well into its […]

“Detroit is the capital of Australia.” That phrase got thrown around a lot in ’80s American fanzines as our underground discovered Australian punk’s loud-and-aggressive charms. The basic sound: U.S. protopunk, especially of the Stooges/MC5 variety, mixed with ’60s garage, played with thermonuclear energy through modern heavy metal amplification. There was also an especial appreciation for […]

As we exited the ’90s and entered the new millennium, pop divas, prefabricated boy bands and rappers bragging about conspicuous consumption and how poorly they treated women ruled the airwaves. Meanwhile, what passed for “rock” was the white guys who beat you up in high school P.E. class who’d discovered hip-hop and figured it’d sound […]

Alternative rock still dominated popular music in 1993. This obviously begged the question of just how “alternative” something was if it was now on a major label and on the radio. Not necessarily a bad thing. After all, we’d never have to hear Whitesnake again. Bottom end and distortion returned to rock record-making in a […]

Punk has a million precedents—musical, spiritual. The basic sound and attitude can be traced back to the wildest, most primitive rockabilly records of the ’50s and the most fuzzed-out garage bands of the ’60s, plus the racket the New York Dolls and Iggy and the Stooges raised in the early ’70s. You see it in […]

You would think television (the medium, as opposed to Television, the band) and punk rock were a match made in heaven. After all, the music and culture are sharp, edgy and visually arresting. This should have made punk flawless televisual fodder, right? Truthfully, punk and TV collisions have more often resulted in mutual incomprehension and […]

The mood of 1992: “We won!” Nirvana’s Nevermind sold by the truckload hourly. All anyone could talk about was alternative rock and grunge. Record biz execs walked around that spring’s SXSW convention in Austin in floppy, artfully unwashed hair, just-purchased flannel shirts and ripped jeans. You’d pass a line of them in the parking lot […]