makthaverskan

Makthaverskan II Having introduced their post-punk-meets-dream-pop with 2009’s eponymous full-length, Makthaverskan’s influences were clearly entrenched in early British punk and shoegaze. With a sparse, somewhat rough sound, the Swedish quintet veered between iciness and warmth in an intriguing manner, and though it was a good record, too often their reverence for Buzzcocks and the Only […]