music journalism

What do you do when your local punk scene is all you know? Make a living out of it. Tony Rettman was just another kid at the show, now he’s a bonafide hardcore scholar. He’s published two books, Why Be Something That You’re Not: Detroit Hardcore 1979-1985 and New York Hardcore: 1980-1990, and is now ready to invade your earholes with his latest project, Green Room Radio. Produced by the ... Read

Growing up, those who support you most will encourage you to find what it is you love to do. From there, it’s your responsibility to make it your life. Making ends meet by means of a passion is the dream for most. So few make that dream a reality. For ...

It's sometimes difficult to fathom how long I’ve been in a band. When I think about it long enough, it scares me. The combination of the sacrifices I’ve made and the fact that I've done it mostly on my own terms has kept me hungry—not for fame, but for the challenge. The challenge of continu ...

Unlike albums, I don’t get super-emotionally attached to movies. Sure, I have my favorites, but I’ll never expound on the merits of Clueless like I will In Defense Of The Genre. Of course all that changed with Almost Famous. In case you’re unfamiliar with the movie, here’s a quick recap: Cameron Crowe’s semi-autobiographical film is about a budding teenage journalist named William Miller, who nabs

There isn’t a person in the music industry who doesn’t have an opinion on how download culture has affected artists’ careers. While everybody in the biz knows it’s hard for a $10 retail CD to beat the lure of a free download, the internet poses additional challenges for bands, managers and labels. The recent controversy ...

When a topic becomes too hot for just one person, we turn to the CAGE MATCH. Two AP editors enter—and, well, two AP editors leave, too, because we’re not savages. But this is the virtual arena where our editorial staff can battle out opposing views and see if any sort of compromise can be made. This insta... Read More ...